Denise Sullivan

Author, Arts & Cultural Reporter and Worker

Artists Endorse Aaron Peskin to Lead Fight For Affordable San Francisco

Cafe Zoetrope in North Beach was overflowing on Monday evening with politically engaged artists, Artists for Aaron (center). Photo by Stewart Bloomwriters, and neighbors gathered to support Aaron Peskin, candidate for Supervisor. A longtime affordable housing advocate and former chair of the SFDCCC, Peskin termed out of his Supervisor’s seat in 2008, but a return to the Board representing District Three could mean a restoration to sanity in the City’s legislative chamber if he succeeds in ousting the Ed Lee appointee, Julie Christensen.
READ THE ENTIRE ARTICLE at:

Filed under: Arts and Culture, San Francisco News, ,

SF Punk Rockers Send a Message to City Hall

San Francisco–“That was for librarian Cynthia Hurd, murdered two nights ago for being black in America,” said Penelope SF City Hall Centennial Celebration - photo credit is John MargarettenHouston from the stage of Friday night’s musical Centennial Celebration of City Hall, punctuating her 38-year-old song, “The American In Me,” concerning the country’s culture of violence. Accompanied by Chuck Prophet and the Mission Express, Houston, who works by day as a city librarian and archivist, originally cut the song in 1977 with her history-making punk rock band the Avengers (they opened the last ever show by the Sex Pistols in San Francisco). Her remarks were welcome commentary at the mid-point of an  impressive cross-generational revue assembled by Prophet to sing the songs of San Francisco…

READ MORE AT DOWN WITH TYRANNY!

Filed under: Arts and Culture, Concerts, San Francisco News, , , , , ,

Margaret Cho’s on a Mission: Helping Homeless Youth in San Francisco

“If you have, give. If you need, take.” That is comedian and San Francisco native Margaret Cho’s simple, seasonal message to the people of her hometown and so far the directive is working: Staging impromptu street performances, Cho is devoting two months to raising awareness and much-needed funds and supplies for the homeless here, in memory of her philanthropic comic inspirer, Robin Williams.

Cho for change, Market and Powell, San Francisco (photo courtesy Gerard Livernois)

Cho for change, Market and Powell, San Francisco (photo courtesy Gerard Livernois)

“With Comic Relief he raised 70 million dollars for homelessness causes,” claims Cho of the series of televised charity shows and events hosted for over 20 years by Williams, Whoopi Goldberg, and Billy Crystal. Calling from San Antonio where she was performing her stand up act over the weekend, Cho explained, “He had written into his contracts that a certain percentage of homeless workers had to be employed on the set. He was very conscious of homeless people and he turned in perhaps the greatest performance of a homeless person ever in The Fisher King.” The loss of Williams this year she says, was more than the death of a dangerously depressed fellow comedian and street theater vet. “We lost a passionate activist.”

Read the Entire article at 48 Hills:

Filed under: Arts and Culture, California, income disparity, new article, San Francisco News, , , , ,

First-Ever Howard Zinn Bookfair Convenes In San Francisco: Marcus Books is Back!

Today’s first-ever Howard Zinn Bookfair zinnportraitconvenes at San Francisco’s historic Mission High School with a list of right-on authors as long as your arm so you’re going to have to check the program to believe your eyes. Organized by author James Tracy who also founded the San Francisco Community Land Trust,  the day is jam–packed with discussion and presentations concerning the people’s history—past, present and future—and is free to the public. I’ll be leading the discussion titled Supporting Our Bookstores in a Time of Gentrification from 1:30-2:30 PM in the James Baldwin Room, and will be joined by Karen and Gregory Johnson of Marcus Books San Francisco and Kate Rosenberger of the Mission District’s Dog Eared and Alley Cat Books. We hope to see the room filled with bookstore workers and supporters as we imagine ways in which our City’s bookstores can work cooperatively and reach out to each other more in what was a record-breaking year of small business closures in San Francisco.

As the day-long celebration of our stories transitions into the evening, there will be an arts and awards ceremony: I’m pleased to say, Marcus Books will be making an announcement about the store’s future and will be receiving a lifetime achievement award for their service to the people of San Francisco and beyond it.  Read my coverage on the current state of San Francisco’s bookstores at 48 Hills,  and I’ll see you at the people’s bookfair.

Filed under: anti-war, Arts and Culture, Book news, Books, California, Civil Rights, income disparity, James Baldwin, San Francisco News, , ,

On Litquake, Legacy Businesses, Logos and Literacy: Are You Reading Me?

SAN FRANCISCO, CA—Where the fall days are shorter, sometimes hotter, and always foggier, where we are spoiled for choice between theimg_1987865_primary play-offs, election season, the Mission Playground debacle, and our annual book festival, Litquake, already in progress, and where we are one progressive free weekly shorter as of this afternoon. It is here, in this wonderland that just yesterday, the Columbus/Indigenous People’s holiday, that District 9 Supervisor David Campos chose the Beat literature/Italian American landmark, Caffe Trieste in North Beach as the time and place to roll out his proposed legislation that may contribute toward saving San Francisco from itself. Grasping at straws?  Pulling at threads?  It’s all in a day’s work around here, but I promise it will all come together before nightfall, or daybreak—at least that’s what I tell myself.

Flanked by a handful of small business advisers, city officials and somewhat surprisingly, me (representing for the independent booksellers in past or imminent peril due to increasing rents and few protections), the Supervisor pledged on Monday,  “City Hall has a responsibility” to protect what he’s calling our legacy and heritage businesses.

In a report commissioned by Campos and released last Friday, the number of small businesses here that will be lost by the end of this year is 4,378. You read it correctly. That’s “a significant increase from the 693 businesses lost in 1992, the first year of the study.” Closures and relocations in the period from 1992 to 2011 have also risen: from nearly 1300 to nearly 13,000. What happened in the intervening years is of course familiar to anyone vaguely familiar with the economic system in the USA, Inc.com. But it seems someone at City Hall is listening and it just might be Campos (and Supervisor Mark Farrell who co-created the plan based partly on programs in place in London, Barcelona and Buenos Aires where policies have been implemented to aid local heritage). San Francisco could be the first US City to add small local and culturally relevant businesses to its recently collated registry of historic bars and restaurants deemed worth preserving. By incentivizing commercial property rentals and when possible, advising and assisting through cooperative agencies the purchase of anchor businesses and properties, community character and services shall be retained and our neighborhoods will continue to provide jobs, remain more diverse, enjoy less crime, and stay vital, all according to plan.

Screen+shot+2011-06-08+at+10.27.38+AM-1Sounds lovely, doesn’t it? And apparently it’s entirely possible, especially if you belong to the stable sector of small retail that hopes to benefit from the heritage program. For example, a store like Green Apple Books, awarded 2013 Bookstore of the Year by national book trade magazine Publisher’s Weekly, is an exemplar of the kind of indie business the City is looking to preserve. Who can’t appreciate and celebrate the successes of a bookstore like Green Apple? They earned their kudos and we all wish them well-deserved continued success. Though at the other end of the spectrum are the stores that are struggling through crushing economic downturns, bad loans, wily speculators, poor City planning and a trail of broken promises that leads straight to City Hall. These are the stores that serve our communities most at risk—sometimes at their own peril—and have done so for decades. Stores like Marcus Books San Francisco (evicted, 2014,and hoping to relocate after 53 years), and Modern Times Bookstore Collective (after 43 years it is next in line to close in 2015 unless something gives), and Bibilohead Bookstore (in a holding pattern after 10 years, displaced behind a retrofit and awaiting terms of a new space). These are the stores that some of us rely on for our everyday interests, our community, our culture and lives of the mind. As an author, a part-time bookstore worker and activist, I have seen our stores time and again get left out and left behind or be judged by the community as “not having the right business model.”  They’ve been accused of “mismanagement” or entering into “bad leases” (are there good ones?). None of these booksellers could have thrived for as long as they did and have the answers to their problems be quite so convenient. These stores and their personnel have been on the wrong end of wrongheaded assumptions and I fail to accept that kind of treatment of our small retailers and fellow San Franciscans (you know, the ones who’ve allowed you to use their bathroom, even though you couldn’t repay them by buying a book from them).  Rather, it’s matters of racism, sexism, classism, simple greed, poor Cityimages-1 planning and the public’s allergy to reality which are at the root of the problems faced by these stores and others like them (like queer-focused A Different Light which closed in 2011). I’m happy that Supervisor Campos has displayed the courage to acknowledge these facts—that the City does indeed have some kind of responsibility to its small businesses, in particular the ones which are most at risk precisely because they promote literacy, diversity and community, to the people who need those things the most: The immigrant, poor, working class, artist, intellectual and politicized people and people of color in town. These are the folks who gave San Francisco its progressive reputation in the first place and who have been disgraced and abandoned on Mayor Lee’s watch.

UnknownThe businesses that I and others in the progressive communities are interested in registering and preserving received loans with interest rates too high for anyone to make good on because they were discriminatory. The mortgage crisis put some of these small business owners and their stakeholders homes at risk as they attempted to keep the businesses afloat. Some of them have been harassed or received ambivalent protection from law enforcement. What do I mean by that, exactly? Well, the political and activist groups who convene at community spaces are targeted for spurious code violations and other so-called crimes. Marcus Books’ property was stolen and destroyed in broad daylight! Disbelieve me if you like, but these are some of the more systemic problems besieging our City; I want to believe Supervisor Campos is not blind and seeks to amend them.

Here it is a little more concretely: On Sunday, Modern Times celebrated 43 years of progressive bookselling with its Litquake event featuring writers and poets Aimee Suzara, Dee Allen, Kim Shuck, Ocean Capewell, Tommi Avicolli Mecca and Don Skiles. Last year the Litquake legacy celebration at Marcus headlined literary and visual artists esteemed as Genny Lim, Chinaka Hodge, Raina J. Leon and Lewis Watts. I mention all this because this year, Marcus Books didn’t have a Litquake event and next year, Modern Times might not have one either. So when we talk about preserving our City’s cultural institutions and legacy businesses, I hope this is the kind of thing the Supervisor is mindful of, because it’s what’s on my mind. And while we’re here: Litquake is our City’s only festival of books: It is the finest moment—now in its 15th year—of our small but mighty book community. It celebrates author excellence, charm, and ridiculousness. Founded by my colleagues Jack Boulware litquake-2014and Jane Ganahl (who both made the move from journalism and publishing toward organizing literary events), they survive by their wits, and to my knowledge, with little to no funds from the moneybags known as City of SF, a circumstance that appalls me and I hope outrages you, too. Without the stewardship of our community by Boulware and Ganahl, I’m not sure we’d have a book community at all. My expression of gratitude to them is to devote as much time to their festival as I can as a curator and booster. But while we are all congratulating ourselves, celebrating our new books, all our new multi-digi-partner-publishing-platform ventures, and awarding our community pillars like Malcolm Margolin and Dave Eggers, let us also pause for a moment of grave concern:

San Francisco is hemorrhaging bookstores and small businesses, and though you won’t hear a lot of talk about it at the lit festival, or at the new restaurant on Divisadero, nor will you read a thing about it in the paper,  please take a moment of your time to remember the bookstore that held you up in lean times, that gave you your start, provided you with reading matter or a seat and place to read in rain. They have been on the critical and missing list for some time and will remain there until further notice, to be replaced by a vegan bacon donut shop or some other culinary monstrosity coming to a vacant $675.10 (actual figure) per square foot space near you soon.

Campos_logo-02So yes, it is my wish that so inspired by Mr. Campos on his way to Sacramento, that we all insist his personal legacy be a registry of historic legacy businesses that includes as many of our small bookstores all over town (but especially the three on Calle 24), whether they be shiny and new or dusty and dark, so that we may all eat and grow strong and acknowledge our beauty and power collectively, despite the world being on fire just outside our doors. And oh: Go Giants.SF-Giants-Logo

Filed under: Arts and Culture, Book news, Books, California, Editorial, income disparity, San Francisco News, , , , ,

Music for Change: Cambio

Cambio’s album title, I, Too, Sing America caught my eye for being named after a Langston Hughes poem (his answer to Walt Whitman’s work, “I Hear America Singing”). Cambio’s music caught my ear, too, thanks to a broadcast by Ignacio Palmieri on KPOO San Francisco about a year ago. With allusions to illusions, references to referendums, and tracks built on layers upon sound bites, scratch noises, and clips of speeches, Cambio’s point of view is progressive to the max, and that powerful voice is at the center of the mix.

Californian by birth, Latino by descent, Cambio is from Watsonville while belonging to Quilombo Arte, the international collective of artists, writers and musicians spearheaded by Mexico’s Bocafloja, committed to breaking down barriers and to emancipation for all people.

As a Latino influenced by hip hop, a young man in love with basketball and a speaker of “broken Spanish,” Cambio described himself as “having issues within his own community.” It was through becoming educated and learning the stories of colonization that he began to seek and find his place in the world as an artist. Beginning to record and perform locally, it was by chance that Bocafloja heard Cambio’s recordings and reached out to him. Though he records in English, Cambio has since found an audience for his music in Mexico and throughout Latin America.

An earlier album, Or Does It Explode?, also has a title borrowed from a Hughes poem (“A Dream Deferred”); a newer project, Underground Railroad, of course refers to the network built from slavery to freedom. History, poetry, social movement and music are among the themes in Cambio’s work: One minute he’ll borrow from Malcolm X, Fred Hampton or Che Guevara, the next from Nina Simone or Bob Dylan. Here’s a remix “I Need A Dollar” featuring Bocafloja originally from I, Too, Sing America.

This Saturday afternoon, Cambio and I will be making a presentation on music with a message and music  for change at the Oakland Museum of California. If you are interested in hearing more from Cambio, check his Bandcamp page and the archived broadcast of the show I heard. Please support his work and the work of other musicians for change: Positive hip hop is still marginalized but Cambio’s voice, if given a proper hearing could resound all over this land: He, too, sings America.

Filed under: Arts and Culture, California, cross cultural musical experimentation, Hip Hop, Immigration Reform, income disparity, Latino culture, Mexican American/Latino Rock, Poetry, Protest Songs, San Francisco News, video, vinyl, , , , ,

Marcus Books: Keep It Lit in the Fillmore District

If buildings could talk, the Marcus Books property on San Francisco’s Fillmore Street, the onetime “Harlem of the West,” would tell a tale of two cities for over 50 years. Once the jazz club Bop City (where John Coltrane, Charles Mingus and Billie Holiday performed), the purple Victorian structure is central to a neighborhood that has survived the internment and return of its Japanese American residents, an urban renewal project that resulted in the permanent exodus of African Americans when promises for new homes never materialized, and a blueprint for a  “Jazz District” that failed to launch. Now, the neighborhood faces a final act as Marcus Books, the oldest seller of books “by and about black people” in the entire US, attempts to uphold black history and culture, a part of which its founders helped create, while the mayor’s office and for-profit developers look instead to the influx of tech companies and their workers as the City’s future.

It’s taken decades, but the Mahattanization of San Francisco is nearly complete: The immigrants, artists and native-born who built the City and gave it its unique flavor can no longer afford to live here; with San Francisco’s African American population largely banished to Oakland and points beyond, alongside the working and artists classes, the freethinking lifestyle that attracted so many people to the Bay Area in the first place has largely been and gone. “What is crucial, is whether or not the country, the people of the country, the citizenry, is able to recognize that there is no moral distance between the facts of life in San Francisco, and the facts of life in Birmingham,” said James Baldwin on a fact-finding trip to San Francisco in 1963 at the height of the Civil Rights Movement, a time at which he would have also visited Marcus Books.

Every black writer and intellectual in the US and throughout the African Diaspora knows the store; Celebrities, activists, athletes and literary giants, from Malcolm X, Rosa Parks, Muhammad Ali, Walter Mosely, Alice Walker, Oprah Winfrey and Toni Morrison have all passed through the doors of the San Francisco or Oakland stores. Founded by Drs. Julian and Raye Richardson in 1960, their leadership and the store itself served as sanctuary for thinkers, authors and community members during every watershed of black cultural and political movement, from the Voting Rights Act, through the Black Power Movement and historic student strike at SF State in 1968 (resulting in the establishment of multicultural study programs which still exist at universities today).  Many of San Francisco’s African American faith, civic, arts and culture leaders were educated through the program at State, either by the Richardsons themselves or the books they stocked at Marcus; 50 years later, the Richardsons’ daughter, granddaughter and extended family remain in San Francisco, providing black children with their very first books, as well as a safe community space where elders and organizers may engage in discussions on their journeys, from Jim Crow to the first black president. Yet for the past year, Marcus Books, one of those rare brick and mortar stores that operates in the black, has been waging a program for its own survival: The City’s community activists, elected supervisors and appointed commissioners achieved landmark status for the historic building, attorneys brokered a buyback after the property was sold at auction, and the store’s fund drive with a deadline at the end of Black History month is in its final stretch.  But Marcus is not the only community-serving destination that’s been diverted from its core mission to enlighten and educate: If a city’s bookstores are any indication of its cultural diversity and intellectual health, San Francisco is on the critical list. With City Lights the only vestige of the town’s Beat Generation past, the City’s last gay bookstore was laid to rest three years ago; it’s most progressive political book outlet in the Mission District is on the brink. A similar fate for Marcus Books would mean the end to longstanding black-owned businesses in the Fillmore, the so-called “heart and soul of the city,” a neighborhood once so diverse it was dubbed the “Little United Nations.” Seems The City That Knows How has forgotten where it came from and San Francisco is no longer the most progressive place on earth. Baldwin’s 1963 quote may’ve been specifically about Jim Crow ways and law, but a blow to Marcus Books could mean his message remains the same:  San Francisco’s reputation as a kindly city of love, tolerance and diversity will be forever tarnished; in fact, it may have been false advertising all along.

Marcus Books will be holding a hackathon on Saturday afternoon in San Francisco.

Donate directly to Marcus Books 

Filed under: Arts and Culture, Books, Civil Rights, Harry Belafonte, James Baldwin, Jazz, Malcolm X, new article, San Francisco News, , ,

Graham Nash: Wild Tales of a Protest Singer

“We need people like Bradley Manning,” said singer Graham Nash on Friday night at the Nourse Auditorium in San Francisco, in conversation about his new book, Wild Tales:  A Rock & Roll Life.  The evening ended with questions from the crowd, a convention that in lieu of any interesting questions coming from the stage often provides the most interesting parts of these so-called public discussions.

“Where is the anger?” someone from the audience asked. “Why aren’t we rising up?”

“Do you think they really want protest songs on the airwaves? Do you think they want people singing about these things on TV?” answered Nash with more questions, while further noting the media has largely turned its back on free speech matters.  Though he suggested our first and fifth amendment rights were our country’s greatest assets, his questions were perhaps an acknowledgement that we can no longer rely on a free press to help us protect those rights to speech, a fair trail, or to keep us truly free.

Advocating for truth-speaking and against torture, as well as for solar power and ending world hunger, Nash isn’t just a one-size-fits-all protest singer; rather, he’s one who’s consistently stood strong against nuclear power, supports the science behind climate change, and was on the side of the Occupiers on Wall Street. The musician of conscience has consistently weighed in with songs of resistance since the dawn of his career, as a solo artist, as a member of the duo, Crosby & Nash, and the supergroup, Crosby, Stills, Nash & Young. Last week I posted Nash and James Raymond’s song for Bradley Manning; his earlier works like “Chicago” and “Immigration Man,” among others, bear his mark of vocal excellence combined with pointed, topical concerns.

Among his known charitable activities, Nash co-founded the Musicians United for Safe Energy in 1978; he participated in 1985’s Live Aid, spotlighting famine in Africa and he toured with CSNY in 2006 on the Freedom of Speech tour, a traveling protest roadshow.  “We knew what we had to say, especially about George Bush,” Nash said, though the message was not entirely popular, particularly as they crossed the red states.  “I’d never been on a tour where there were bomb-sniffing dogs.  I’d never been on a tour where people walked out. You bought a ticket to a Crosby, Stills, Nash & Young concert…what did you expect?”

On Friday, the crowd was comprised largely of freethinkers, baby-boomers, and progressives in accordance with Nash’s views, clued-in enough to ask: Had he ever requested his FBI files? Born in Blackpool, England but a citizen here since 1978 Nash answered with yet another question: “Why would I care if they have papers on me?” He shouldn’t.  But rest assured, they do. And had I held a mic that night, I would’ve first and foremost thanked Graham Nash—bold enough to sing the contents of his heart and mind for over 50 years—no questions asked.

Filed under: anti-war, Arts and Culture, Book news, Books, Environmental Justice, Folk, Immigration Reform, income disparity, Occupy Wall Street, Protest Songs, San Francisco News, Songs for the Occupation, ,

Update: Free Marcus Books

UnknownMarcus Books and its supporters won a small victory in the ongoing fight to save the store when this week, the San Francisco Board of Supervisors unanimously passed a resolution supporting the preservation of the historic building.  In business for over 50 years, Marcus is America’s oldest black-owned bookstore and a San Francisco literary institution that’s hosted James Baldwin, Malcolm X, and Toni Morrison, among countless other writers and thinkers; it is a huge part of the City’s African American heritage. Before it became a bookstore, the Victorian building originally located on Post Street was home to Jimbo’s Bop City, the legendary Fillmore District club that staged Billie Holiday, Miles Davis, and John Coltrane, among other jazz giants. The resolution put forth by Supervisors London Breed and Malia Cohen, and supported by Supervisors of all districts, urges the new owners of the property to “uphold the building’s community serving purpose.”

At a rally and press conference Tuesday afternoon, hours before the resolution was passed, about 100 community and church leaders, as well as activists, artists and supporters gathered on the steps of City Hall (never mind the persistent sound of horns you will hear in this clip—in a separate but related issue, cab drivers were protesting the rogue transportation companies that have taken over the roadways in the face of SF’s latest tech boom).

“Tell everyone you know who loves truth and justice and tell them to get involved,” said Archibishop Franzo King of Saint John Coltrane African Orthodox Church. The Fillmore has historically been the scene of systematic removal of it residents, whether the internment of Japanese Americans in the ‘40s or the ‘50s and ‘60s relocation of its African American dwellers who were promised housing that never materialized. After a decades-long, so-called redevelopment project (which is now widely and finally acknowledged at the city government level as a failed undertaking), the Fillmore has rebuilt and rebooted more than once, but the well-documented exodus of middle to low-income people of color, and the working and artist classes from throughout San Francisco continues unabated. To state the  plainly obvious, unlike buildings, people cannot be replaced.

“This isn’t just about the bookstore,” said Marcus Books owner Greg Johnson.  “It’s about humanity.”

“This is about transfer of wealth, out of the hands of working class black folk…” said Rev. Arnold Townsend, Vice President of the local NAACP, at Tuesday’s press conference.

Most all of the speakers noted the persistent effort to save Marcus Books goes beyond highlighting the failing of brick and mortar book stores in the 21st Century; it touches realms of historical preservation of culture and ideas, and bores straight into matters regarding maintenance of a community hub. Literacy, education, and generally freely traded  knowledge of self and others are also at stake.

“When we lose our artists, we lose our stories,” said Tony Robles of grassroots arts organization, POOR Magazine.

“I would not be where I am without this book store,” stated devorah major, author, educator, and a San Francisco poet laureate.

The Marcus situation is sadly indicative of the changing demographics of the so-called sanctuary City of St. Francis, “with its widely advertised liberal and cosmopolitan tradition.”   But San Francisco’s track record with its African American population is not good, a contradiction that did not escape the notice of James Baldwin who participated in a film specially broadcast on public television station KQED in 1963.  I recommend the entire series of clips that follow from Take This Hammer.  And I especially commend San Francisco’s elected officials for taking the matter of Marcus Books and the larger problems it represents with the seriousness it demands.

For updates on the effort to Support  Marcus Books,  visit the Alliance of Californians for Community Empowerment.

Filed under: Books, James Baldwin, San Francisco News, video, , , , ,

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